Showing posts with label Vanessa Simmons. Show all posts
Showing posts with label Vanessa Simmons. Show all posts

Thursday, 22 March 2018

This week at Valley Press, #92: 'Cracking reads'



Dear readers,

Hello there! I’m Jo, Assistant Publisher at VP, in charge of editing, press, direct sales, staff happiness and tea-making (strong, drop of milk, big mug).

I thought it was about time I said hello as I’m celebrating my first anniversary with Valley Press today (I’m assuming all your cards and gifts are in the post – thank you in advance). It might seem like I’ve been ignoring you for the last 12 months, but that couldn’t be further from the truth. In fact, VP, its authors and supporters have become something of an obsession. If I’m not here in the office at VP Towers (aka the rather stunning Woodend in Scarborough), I’m editing and proofing books at home, emailing authors, chatting with book-buyers and generally nattering on to people about how great VP is.

There are many, many reasons why working here is a real treat, but the chance to talk books (cake, cocktails and nonsense) with my hugely entertaining colleagues is very high on the list. We all met up this week in the luxurious surroundings of Gray’s Court in York to discuss/debate/fight over our spring 2019 list. Inspired by the array of books in the hotel library and the generous platter of warm scones provided by the psychic waiter (I’d literally just said ‘I could really do with a coffee’ to Tess when he stuck his head round the door and said ‘Coffee anyone?’), we whittled down a mountain of manuscripts into a more manageable molehill. We’ll tell you about them in detail in a future newsletter but for now, trust me, you’re going to be wowed.


Another highlight of the week was the launch of Beyond the Walls on Wednesday night as part of York Literature Festival, which continues until March 26th, so you’ve just got time to grab a ticket for something bookish if you get your skates on. Beyond the Walls is a collection of shiny new writing from shiny new writers, namely students from York St John University. Their fiction, poetry and creative non-fiction is fresh, informed, unflinching and compassionate, instantly melting any preconceived notions you might have about their so-called ‘snowflake’ generation.

Another VP title being launched in grand style this week (March 23rd) at York Lit Fest is Riverain. As Canadian poet Robert Powell was inspired by the twin rivers – the Ouse and the Foss – in his adopted home city, we had thought of asking the Queen (an old friend of VP) to wallop the book with a bottle of champagne before launching it into the murky depths. Instead, we decided a river cruise book launch was probably more fitting (and less liable to land us in trouble with the Palace for wasting the monarch’s time when she could be enjoying a boxset of The Crown with Phillip and the corgis).

Back on dry land, we’re very much looking forward to the launch of Light After Light, the debut pamphlet from West Yorkshire poet Victoria Gatehouse, at The Book Corner in Halifax on April 18th. This is a particularly special one for me as Vicky was the first author I met at VP. She was nervous, unassuming and ever so slightly cock-a-hoop at the prospect of being published, while I was desperately trying to sound cool and professional while also being ever so slightly cock-a-hoop about having an exciting new job in publishing. We’ll be having our own little reunion, but do feel free to come and join us.

While Vicky is one of our newest finds, we’re pleased to report that long-time VP author Michael Stewart has a new book out today that’s gaining a lot of positive attention. In fact, the film rights to Ill Will, which speculates on what Heathcliff might have done in his three-year absence from Wuthering Heights, have already been snapped up by Kudos, the production company behind Broadchurch and Apple Tree Yard.

Though not a VP title, this is obviously very egg-citing news for Michael and we are egg-stremely happy for him (you can already tell where this is going, can’t you?). It’s nearly Easter and as a special treat we’re offering 20% off all book orders via our website until April 2nd using the code EGG, plus the chance to win a delicious VP chocolate egg (it took me ages to pipe our logo on the front) plus (yes, there’s more!) two books from our spring list, namely Light After Light and Trace Elements. And we’re not even yolking (that’s the last one, Brownie’s honour).

Good luck – and Happy Easter!

Jo Haywood, VP Assistant Publisher


P.S. Note from Jamie: as we approach one of the busiest seasons of the publishing year, me and Emma haven't managed a new podcast since episode 5, but rest assured a new 'season' of Friday Morning Meetings will be coming soon. In the meantime, there is a jukebox musical to enjoy, telling the Emma Press story (filmed secretly by me from the back row, but eventually shared with permission!)

Friday, 22 December 2017

This week at Valley Press, #86: 'Our 2017'



Dear readers,

It's that time of year when we can easily find ourselves looking backwards... 'another journey round the sun, and what have I achieved?' is the phrase spoken on many a wintry, late December street corner. So I suppose we may as well embrace it fully, with a brief run through everything that's happened at Valley Press this year, in case you missed any highlights (and then we'll end by looking forwards, another fine tradition).

I was astonished to find, flicking back twelve months, that in December 2016 I was the only employee of Valley Press; a 'sole trader' in every sense. I was more or less on paternity leave too; just keeping things ticking over. Then, after my traditional end-of-year pondering (which also led to me first going into full-time publishing in January 2011), I emerged into 2017 set on starting 'Valley Press Ltd.' and staffing up as thoroughly as possible.

I was soon joined by Jo Haywood and Tess Dennison (pictured above on the left, at our Christmas party), with Jo taking on... well, just about everything, in her role as 'Assistant Publisher', and Tess running the submissions department like she'd been doing it all her life. We heard from Tess in this newsletter in late June, you may recall, by which point we had Vanessa Simmons on our team (pictured above on the right). Starting as 'Events Manager', Vanessa's role will be expanded next year to encompass 'Education' projects, connecting VP and our authors with schools and universities – look forward to that.

Staff-wise, I mustn't forget the contributions from our various publicists throughout the year, most notably Suzannah Evans (who has now moved on to greener pastures), and of course the phalanx of interns who joined us during the summer months (twelve in all, many of whom graced this newsletter with guest posts). A month ago we were joined by Sasha Hawkes, a veteran of the London publishing industry, with a decade of experience at places such as Scholastic, Quadrille and Nick Hern...  she'll be taking care of the 'bread and butter' of publishing in the production department (as 'Production Editor').

All these new people needed an office, and after a temporary stint above a curry house (which I may have glossed over at the time), my 'dream office' in the building that's always received the Valley Press post, Woodend, became available and we made ourselves at home there from the start of June. I can't imagine life without it now (or without the team). The new office has plenty of room in it, which is handy as it meant we could find a spot for the Yorkshire Coast 'Culture/Arts Business of 2017' trophy, and mine for Scarborough's 'Young Entrepreneur of the Year' (thought I'd slip those in).

But did we manage to publish any books? Well, not until the summer actually – we try to work a few months ahead of schedule, so having spent the autumn parenting and the winter building the new team, I'd failed to line up anything between January and June. But when we got going, my goodness did we get going! There have been 15 new titles published by Valley Press since July, not bad considering we managed 20 in the whole of 2016 (with Arts Council money, and Rosa and Laura backing me up).

Those 2017 titles started with Helen Burke's Collected Poems, the product of 45 years of writing and 30 months of publishing – then moved on through our first Chinese translation, Nora Chassler's inimitable feast of 'fragments', our definitive anthology of Yorkshire Poetry, and new collections from Cath Nichols, John Wedgwood Clarke, Oz Hardwick, and Wendy Pratt. There were tears when we lost Helen Cadbury, months before the launch of her poetry debut Forever, Now; but what a privilege it was to publish that magnificent book.

One title I didn't mention in this year's newsletters was Paul Sutherland's New and Selected Poems, which originally came out in September 2016 (just as my 'paternity leave' started, earlier than expected) – so in November, we gave it a fresh cover (by local design agency Fitzpatrick Design) and re-launched it to a world of eager readers. Antony Owen made it a 'choice of 2017' in a recent edition of the Morning Star, saying Paul 'shows us his strength not only of character but of his lyrical writing quality.' Agreed!

We also published debut pamphlets by Caroline Hardaker and Ian Stuart, and were proud to put those wonderful new poets on the shelves. Then we were well and truly Britpopped while working on a comprehensive guide to that musical era, before receiving an education in why Verse Matters from Rachel Bower and Helen Mort, and meeting the Prideaux Angels just a week ago. Not a bad year's work! Well done to all involved.

And 2018? It'll be bigger and better; you should expect nothing less than a deluge of fascinating, unexpected literature bursting forth from our corner office in the heart of Scarborough, as we lead up to our tenth birthday in October. I can also reveal exclusively, right here right now (as a reward for anyone who has read all the way to the end) ... our second 'Grants for the Arts' bid was accepted by Arts Council England, and we will be receiving £40,000 worth of funding for our publishing efforts over the next twelve months.

What can I say to that?! Perhaps just: I promise we'll use it wisely, and I hope you can agree it's in safe hands. See you next year, lots of love, and thanks for reading.

All best,
Jamie McGarry, VP Publisher

Friday, 27 October 2017

This week at Valley Press, #78: 'In all our finery'



Dear readers,

We won! At the top of this message (if your email is working properly), you should be able to see the VP team in all our finery, and the really very beautiful trophy we received for being the 'Culture/Arts Business of 2017' on the Yorkshire Coast. (I know hard work is its own reward, but trophies help too.) Thanks to the judges and all who contributed to a very memorable night in Bridlington last Friday, particularly Jo, Tess and Vanessa who imbued proceedings with some glamour (unlike me with my clip-on tie and £30 suit).

* * *

If you live in the Yorkshire coast area, and you'd like to be part of an award-winning team, we are actually looking for a new face at the moment. I'll tell it straight so you'll know if the job is for you: we need someone to come in for around six hours a week and keep our accounts spreadsheet up to date (so it matches the bank statement), keep track of incoming and outgoing invoices and remittance, and deal with author royalties twice a year.

You don't need to be an accountant, or have any qualifications in that area; it's more a question of attitude. If you enjoy the sight of a well-organised spreadsheet, and figures don't scare you in the way they do some people, this could be right up your street – you can keep a flexible schedule, and there will be a salary involved (to be negotiated, will depend on experience!)

If you think you could be the person we're looking for, just reply to this email (or write to me at jamie@valleypressuk.com) with a paragraph or two explaining why you'd be perfect, and maybe pop a CV in the attachments. Let your friends know too – have a good look at them next time you meet up, do any of them look like they might enjoy spreadsheets? They may be too shy to admit it, but just murmur 'Excel' and see if their eyes light up.

* * *

By the time you hear from me next, the I Was Britpopped launches will be half-finished, so I'd better take this opportunity to remind you where and when they are. It's Waterstones Leeds on Thursday 2nd, from 6.30pm, and Waterstones Camden on Friday 3rd from 7pm. Please do tell any Britpoppy friends you might have about these events – have a good look at them next time you meet up, do any of them look like they might have been an enthusiastic part of the Britpop scene? They may be too shy to admit it, but just murmur the name of an obscure Shed Seven b-side and see if their eyes light up. (This is my all-purpose, foolproof plan for finding people's secret foibles.)

I'll leave you today with a poem from Wendy Pratt's Gifts the Mole Gave Me, as promised. This is one of the sweetest and most straightforward poems featured, but the poets among you will know how much blood, sweat and effort goes into writing something sweet and straightforward! I hope you enjoy it; have a great week, hope to see you at a launch.

All best,
Jamie McGarry, VP Publisher





In Search of the Perfect Purse

I want that purse you gave me
back when we were courting.
Even though I know it’s downstairs
in the junk drawer, its broken-zipped
mouth gaping, still holding
the train tickets and Metro pass
from Paris, I want to own it again.

I want to find in it that picture you took
as we pulled out of the station, in which
my face is doughy with youth
and I have not yet learned
how to tame my hair. I want your hand

as we run up the stairs to our hotel room
in the attic, Klimt’s The Kiss
over our bed like a blessing. I want
to put Paris back in my purse, that purse
I loved with its grown-up browns
and stitched gold and clasps and pockets.

I want to open that purse and find
the cardboard ticket from the Louvre
and the Pompidou and the receipt
from Le Refuge de Fondues where we
got drunk on red wine served
in baby’s bottles and forgot to save
our wits for art. I want that purse.

No other purse compares.
This one has only room for my debit card,
the pale-faced photo that the clinic took
of you, the Post-it note you left me
on the Mars Bar that said in shaky capitals
‘I LOVE YOU’.

Friday, 16 June 2017

This week at Valley Press, #59: 'Forever, Now'



Dear readers,

I'd like to start today's mailout by announcing a book we're publishing in five months' time; both author and publisher are far too excited to keep it under wraps. Forever, Now will be the first collection of poetry by celebrated crime writer Helen Cadbury – you can read more about the book here (including mini-reviews by Carole Bromley, Antony Dunn and James Nash) and a sample poem can be found here.

You might think it odd that, when introducing someone's poetry, I would mention their success in a very different literary genre... but in this case it can't be avoided, such is the stir Helen has caused since starting her career in crime (so to speak). I usually find that great novelists make great poets; they bring an economy with words (counter-intuitively), strong narratives and carefully-drawn characters, and those who've read Forever, Now so far have agreed that's very much the case here.

The front cover image was taken by Helen herself (we love to get authors involved in their design), and the title comes from Emily Dickinson's quote that 'forever is comprised of nows' – though begins to mean a lot more as you progress through the poems. You'll be hearing a lot more about this book in the coming months, but for now, consider yourselves well and truly introduced.

* * *

Second piece of news: after toying with the idea of running some lunchtime events in Scarborough this summer, I've now gone ahead and booked them. They'll be happening at Woodend, 1-2pm on a Thursday afternoon for six weeks. Here's what I've got lined up:
  • on August 10th, James Nash will be sharing his classic sonnets and some brand new ones, as well as discussing nine years of Valley Press history with myself.
  • on August 17th, Helen Burke will be celebrating the release of her Collected Poems, performing highlights from forty-eight years of writing.
  • on August 24th, a selection of Yorkshire Anthology contributors will be taking a trip through that marvellous volume, led by co-editor Oz Hardwick.
  • on August 31st, Nora Chassler will be taking you on a guided tour of Madame Bildungsroman's Optimistic Worldview (and what a view it is).
  • on September 7th, Cath Nichols will be launching her new collection of poetry This is Not a Stunt (more on that in a future newsletter).
  • on September 14th ... author to be confirmed, watch this space.
I hope some of that sounds tempting. It's £5 to attend, or £4 concession, and you can book the complete series of six for £25 (or £20 concession). Tickets can only be purchased from the Woodend reception, or by calling them on 01723 384500.

In the past I've often been heard to say, somewhat snootily, 'Valley Press is not an events company', and have stuck religiously to the view that publishing a new book is a noble cause that creates an everlasting achievement... while events are fun for an evening and then they're gone. Recently I've come to realise how narrow-minded this is, which brings us to today's third piece of news: the appointment of Vanessa Simmons to the new post of 'Events Manager' at Valley Press.

Vanessa spent nine years as the Events and Communications Officer at York St John University, and handily has a BA and an MA in Literature Studies, so really knows her way around the literary world. Her key missions are 1) to arrange many more events for VP authors, and 2) to improve the quality of existing events... she has some big ideas. In our first conversation about the role, we concluded that publishing a book was like installing a streetlamp, while running an event was like letting off some fireworks; and from now on, Valley Press will be doing both.

* * *

The last thing I wanted to mention is that the increasingly infamous Madame B has now leapt from the pages of her eponymous book and made it onto Twitter. You can 'follow' her unique worldview in 140-character form here, and of course the book (and its luxury hardback twin) can be found here.

Next week: a few words from Tess, our Submissions Coordinator, on how things have been going in that department since she swept in to work her magic...

All best,
Jamie McGarry, VP Publisher